Sanell Aggenbach
b.1975, South Africa
b.1975, South Africa
BIOGRAPHY
Sanell Aggenbach’s work deals primarily with the intersection of history and private narratives by considering the process of recall and interpretation. Her work displays an accomplished virtuosity as she moves comfortably between the various disciplines of painting, printmaking and sculpture and since 2003 she has focused mainly on subverted feminine tropes and feminist themes. In her most recent solo exhibition Bend to Her Will (2017) she subtly and mischievously reframed the hobbyist art of flower arranging by appropriating the traditionally masculine art of Japanese Ikebana. Her sculptural work, primarily in bronze, parody Western masterpieces from Michelangelo, Henry Moore, and Warhol to Pierneef and take a refreshing look at these pivotal references from a woman’s perspective.
Born in Cape Town in 1975, Aggenbach currently lives and works in Woodstock, Cape Town. Her explorative work has secured her many achievements including winning the Absa L’Atelier Award in 2003. Her work is represented in numerous public and private collections, including Sasol, Absa, Spier, SABC, Red Bull (Austria), the South African National Gallery, 21C Museum in Kentucky (USA) and Anglo Gold.
Born in Cape Town in 1975, Aggenbach currently lives and works in Woodstock, Cape Town. Her explorative work has secured her many achievements including winning the Absa L’Atelier Award in 2003. Her work is represented in numerous public and private collections, including Sasol, Absa, Spier, SABC, Red Bull (Austria), the South African National Gallery, 21C Museum in Kentucky (USA) and Anglo Gold.
SELECTED WORKS
— Available Works